Before I wrote "The Tin Box", I didn't have a clue
as to how to go about writing a novel. I
was under the impression that you started out with an idea of how it was going
to go, you started writing and then you wrote until you got to the end . . .
not so.
In real life, that's how it’s done. You start out with a plan, you move forward,
and you keep going until the end. But
when you are writing, you can go back for do-overs. Imagine what it would be like if at 40 you
could say, "Gee, it would have been good if I had gone to law school when
I was 22." and then you go back to being 22, go to law school, and change
your present/future. Unfortunately, that
isn't the way life works. But when you
are writing, it's exactly how it works.
You’re writing a novel and you get to chapter 40 and say,
"Gee, it would have been good if I had my character go to law school in
Chapter 22." and then you do go back to chapter 22 and send your character
to law school. That one change sets a
whole avalanche of changes in the following chapters. But that isn't the only way novels are
written in layers.
There are layers of depth in novels. There is a surface story, there is an
underlying message to the story, there are themes and motifs, there may be
elements of suspense and intrigue, there may be a backstory, and there may be
some history woven in to the story where historical research is necessary. All of these pieces come together as layers
in a novel. You work on developing one
and then go back and build in another, and another, and another.
When all the layers finally come together and the individual
threads weave into a story, sometimes even the author is surprised by how it all turns
out!
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